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	<title>bard &#8211; and so she thinks</title>
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		<title>Bibliotherapy with the Bard</title>
		<link>https://andsoshethinks.co.uk/bibliotherapy-with-the-bard/</link>
					<comments>https://andsoshethinks.co.uk/bibliotherapy-with-the-bard/#comments</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Thu, 04 Aug 2016 12:47:34 +0000</pubDate>
				<category><![CDATA[Art & Culture]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[bard]]></category>
		<category><![CDATA[ben okri]]></category>
		<category><![CDATA[bibliotherapy]]></category>
		<category><![CDATA[jay griffiths]]></category>
		<category><![CDATA[london]]></category>
		<category><![CDATA[okri]]></category>
		<category><![CDATA[selfridges]]></category>
		<category><![CDATA[shakespeare]]></category>
		<category><![CDATA[shopping]]></category>
		<category><![CDATA[simon callow]]></category>
		<category><![CDATA[william shakespeare]]></category>
		<category><![CDATA[words]]></category>
		<guid isPermaLink="false">https://andsoshethinks.wordpress.com/?p=6346</guid>

					<description><![CDATA[I’m utterly convinced of the power of words. As one of the speakers at 5&#215;15’s Shakespearean Bibliotherapy at Selfridges said at the event, not only do I often&#8230;]]></description>
										<content:encoded><![CDATA[<p>I’m utterly convinced of the power of <a href="https://andsoshethinks.wordpress.com/2016/07/02/books-as-therapy/" target="_blank" rel="noopener">words</a>. As one of the speakers at 5&#215;15’s <strong><a href="http://5x15.com/event/3rd-august-shakespearean-bibliotherapy/" target="_blank" rel="noopener">Shakespearean Bibliotherapy at Selfridges</a></strong> said at the event, not only do I often feel that literature ‘speaks to me’ but it ‘speaks to me,’ on an intensely personal and profound level. The event followed a different format than 5&#215;15’s usual, and <a href="https://twitter.com/Tazeenahmad" target="_blank" rel="noopener">Tazeen Ahmad</a> lead a panel of actor and <a href="https://andsoshethinks.wordpress.com/2015/02/27/4566/" target="_blank" rel="noopener">bibliotherapist </a><strong><a href="http://simoncallow.com/" target="_blank" rel="noopener">Simon Callow</a>,</strong>  Booker-prize winning author <strong><a href="https://benokri.co.uk/" target="_blank" rel="noopener">Ben Okri</a></strong>, and writer <strong><a href="http://www.jaygriffiths.com/" target="_blank" rel="noopener">Jay Griffiths</a></strong> discuss the healing power of the Bard and his relevance today.</p>
<p>Beginning with a Callow’s impassioned reading of Sonnet 87, the room was silenced. The experience of love is an individual one, yet all could relate to it. In fact Callow believes that Shakespeare&#8217;s quintessential point is our shared humanity and that we&#8217;re all in it together.</p>
<p>Griffiths discussed how <a href="https://andsoshethinks.wordpress.com/2016/03/24/gender-reversed-a-midsummer-nights-dream-review/">Shakespeare </a>helped her out of manic <a href="https://andsoshethinks.wordpress.com/2015/02/12/reasons-to-stay-alive-matt-haig/">depression</a>, although seemed a little quick to see the illness evident in every one of Shakespeare’s characters, including Hamlet, Lear, Antonio, Prospero and more.</p>
<p>There’s much do be learned from <a href="https://andsoshethinks.wordpress.com/2014/06/28/shakespeare-shorts/">Shakespeare</a>, on practical, psychological and emotional levels.  ‘Shakespeare&#8217;s plays are always on three levels: the soul, mind, body. He speaks to each level, but primarily to the soul.’ And he does it across the canon and in solo lies. Reading from Hamlet 2.2.2 Okri remarks that in only a few sentences Shakespeare speaks of the highest and basest levels of humanity, the sea, sky and solar system, heavens and hell…and then back again to the specific moment.</p>
<p>The debates about what Shakespeare would have made of Brexit and the language of Twitter (probably run with it and changed it, just like he did with most of the English language) were less powerful than the exploration of Shakespeare’s role at capturing the universal.</p>
<p>Bibliotherapy is predicated on the idea that reading and literature has a powerful effect. It’s not only that it makes us feel better though. <a href="http://bigthink.com/how-to-think-like-shakespeare/this-is-your-brain-on-shakespeare?">Research</a> from Professor Philip Davis from the University of Liverpool&#8217;s School of English says that Shakespeare’s language actually ‘shift mental pathways and open possibilities’ for what the brain can do. Stories and words are immensely powerful, for <a href="https://andsoshethinks.wordpress.com/2013/12/12/what-should-i-read-and-who-should-tell-me/">all people</a> and all times. In our scientific and tech heavy age we can be too quick to dismiss their value. As Okri said, Shakespeare ‘speaks to our souls through fairytales. They are simple, but also complex and deadly.’ But also life affirming, which is why Shakespeare still matters.</p>
<p>&nbsp;</p>
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			</item>
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		<title>Shakespeare Shorts</title>
		<link>https://andsoshethinks.co.uk/shakespeare-shorts/</link>
					<comments>https://andsoshethinks.co.uk/shakespeare-shorts/#comments</comments>
		
		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sat, 28 Jun 2014 14:59:43 +0000</pubDate>
				<category><![CDATA[Art & Culture]]></category>
		<category><![CDATA[A Midsummer Night's Dream]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[action to the word]]></category>
		<category><![CDATA[alexandra spencer jones]]></category>
		<category><![CDATA[bankside]]></category>
		<category><![CDATA[bard]]></category>
		<category><![CDATA[cambridge]]></category>
		<category><![CDATA[Camden]]></category>
		<category><![CDATA[camden peoples tehatre]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Macbeth]]></category>
		<category><![CDATA[Much Ado About Nothing]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[shakespeare]]></category>
		<category><![CDATA[the globe]]></category>
		<category><![CDATA[theatre]]></category>
		<category><![CDATA[titus andronicus]]></category>
		<guid isPermaLink="false">http://andsoshethinks.wordpress.com/?p=3966</guid>

					<description><![CDATA[Shakespeare is so well known that it takes guts and effort to reinterpret in new ways that allow the brilliance to shine through for audiences in an accessible&#8230;]]></description>
										<content:encoded><![CDATA[<p>Shakespeare is so well known that it takes guts and effort to reinterpret in new ways that allow the brilliance to shine through for audiences in an accessible way, and <a href="http://www.actiontotheword.com/index.php" target="_blank" rel="noopener">Action To The Word </a>manage this dynamically and dazzle with it in their production of <a href="http://www.cptheatre.co.uk/show/shakespeare_shorts.php#.U67afPldVG0" target="_blank" rel="noopener"><strong><em>Shakespeare Shorts</em></strong></a>, now on at independent venue <a href="http://www.cptheatre.co.uk/show/shakespeare_shorts.php#.U67afPldVG0" target="_blank" rel="noopener"><strong>Camden People&#8217;s Theatre</strong></a>.<br />
Directed by Alexandra Spencer-Jones, and with only a cast of ten, they effortlessly sparkle through some of the most emotional, hard hitting, resonant and profound scenes of the Bard&#8217;s work with a vibrancy that brings a fresh perspective to the eyes gathered in this small theatre. Dressed in black with minimal lighting, the ensemble clearly demonstrate the wisdom of the words and seem to accentuate this via the stark simplicity of all that they do. No set. No costume. Simply the power of their interpretation.<br />
Punctuated with modern pop music to emphasise the shifts between scenes and plays (amongst others the soundtrack features <em>Drop Dead Gorgeous</em> by Republica, 10CC&#8217;s <em>The Thing We Do For Love</em>, and the classic <em>True</em> from Spandau Ballet) they rally through <em>Hamlet</em>, <em>Macbeth</em>, <em>Titus</em> <em>Andronicus</em>, <em>Much Ado About Nothing</em> and<em> A Midsummer Night&#8217;s Dream</em>, and well as others from the canon,with startling clarity and crispness. Managing to move between light comedy to powerful tragedy with fluidity and agility, keeping each clearly resonant, the Bard is brought up to date &#8211; or rather his universal themes are made blatantly obvious &#8211; love, sex, drugs, fun, violence and danger.<br />
The company developed the production in Cambridge when most were still students, and it remains as slick and hard hitting as when they first performed it back in 2008. Click below for tickets.<br />
<a href="http://www.cptheatre.co.uk/showTickets.php?show=537"><img fetchpriority="high" decoding="async" class="aligncenter  wp-image-3969" src="http://andsoshethinks.files.wordpress.com/2014/06/shortstitle.jpg" alt="shortstitle" width="804" height="234" srcset="https://andsoshethinks.co.uk/wp-content/uploads/2014/06/shortstitle.jpg 600w, https://andsoshethinks.co.uk/wp-content/uploads/2014/06/shortstitle-300x88.jpg 300w, https://andsoshethinks.co.uk/wp-content/uploads/2014/06/shortstitle-370x108.jpg 370w, https://andsoshethinks.co.uk/wp-content/uploads/2014/06/shortstitle-410x120.jpg 410w" sizes="(max-width: 804px) 100vw, 804px" /></a></p>
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