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	<title>Barfly &#8211; and so she thinks</title>
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	<title>Barfly &#8211; and so she thinks</title>
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		<title>The I.D. &#8211; Own Designed Love</title>
		<link>https://andsoshethinks.co.uk/the-i-d-own-designed-love/</link>
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		<pubDate>Wed, 24 Oct 2012 19:23:24 +0000</pubDate>
				<category><![CDATA[Music]]></category>
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		<guid isPermaLink="false">http://itsallhappeningmusic.blog.com/?p=1515</guid>

					<description><![CDATA[Released October 29th on Duchamp Records Own Designed Love is the new single from London based The ID, released on October 29th. The video synthesised various off kilter images and&#8230;]]></description>
										<content:encoded><![CDATA[<h2>Released October 29th on Duchamp Records</h2>
<p><a href="http://www.facebook.com/THEIDMUSIC"><img fetchpriority="high" decoding="async" class="aligncenter" src="http://itsallhappeningmusic.blog.com/files/2012/10/TheID.jpg" alt="" width="600" height="607" /></a><br />
<em>Own Designed Love</em> is the new single from London based <strong><a href="http://www.theidmusic.com/" target="_blank" rel="noopener">The ID</a></strong>, released on <a href="http://www.amazon.co.uk/Own-Designed-Love/dp/B009T5JJ40" target="_blank" rel="noopener">October 29<sup>th</sup></a>. The video synthesised various off kilter images and loops in a slightly surrealist style, an avant garde montage inspired by the work of Buneul, Dali and Cocteau, among others, all linked together by the Dadist movement that influences so much of the band’s ethos and output.<br />
In <em>Own Designed Love</em> The different elements of the band are more <em>layered</em>, building upon one another but each its own entity, flickering and flirting together, rather than compressed in intensity as in Age Anti Age, the debut single from earlier in the year. A swelling onslaught of emotion, the song’s simmering menace is somewhat intoxicating in aura, and the perpetual build of dark melody into a hooky chorus marks the band out as master song smiths, and definite ones to watch. Conveniently, they&#8217;re playing the No.6 Basement on Oct 27th, Waiting Room on Nov.14th, and Camden&#8217;s Barfly the first day of December, so you can go and watch them!<br />
[youtube http://www.youtube.com/watch?v=HUWhCc6ILLE]</p>
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		<title>Red Kite &#038; Toy @ Camden Barfly</title>
		<link>https://andsoshethinks.co.uk/red-kite-toy-camden-barfly/</link>
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		<pubDate>Fri, 24 Feb 2012 21:07:57 +0000</pubDate>
				<category><![CDATA[Music]]></category>
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		<guid isPermaLink="false">http://itsallhappeningmusic.blog.com/?p=819</guid>

					<description><![CDATA[February 6th HMV&#8217;s Next Big Thing Reviewed by Katie Stanton Red Kite is the resurrected outlet for former Cooper Temper Clause guitarist, Daniel Fisher. Their sound is the&#8230;]]></description>
										<content:encoded><![CDATA[<h2>February 6th</h2>
<h2>HMV&#8217;s Next Big Thing</h2>
<p style="text-align:right;">Reviewed by Katie Stanton</p>
<p><strong>Red Kite</strong> is the resurrected outlet for former Cooper Temper Clause guitarist, Daniel Fisher. Their sound is the sort of classic rock to soundtrack long walks along the beach and pensive moments looking out at the ocean. Tonight, there are five people onstage , including a female bassist (Laura Hegarty) who spends the majority of the set looking sultry and/or bored. When lead singer Fisher allows, Laura steps up and contributes some refreshingly sweet vocals, but those moments are too far and few between. Fisher’s experience in CTC shows he knows how to write a good song, with subtle pop infusions and emotive riffs. However, it is Hegarty’s vocals that really make the stand-out tracks and the band need to expand on that.<br />
<figure id="attachment_820" aria-describedby="caption-attachment-820" style="width: 300px" class="wp-caption aligncenter"><a href="http://itsallhappeningmusic.blog.com/files/2012/02/redkite.jpg"><img decoding="async" class="size-medium wp-image-820" src="http://itsallhappeningmusic.blog.com/files/2012/02/redkite-300x225.jpg" alt="" width="300" height="225" /></a><figcaption id="caption-attachment-820" class="wp-caption-text">Red Kite</figcaption></figure><br />
Nothing compares to effortless cool on a cold night in the Camden Barfly. It is minus temperatures outside, yet TOY arrive onstage all long-haired, apathetic to the cold and ironically, cool as fuck. <strong>TOY</strong> are another resurrection, with three members originally from Joe Lean and the Jing Jang Jong. You would never have guessed this however, as TOY’s sound is fuzzier, less poppy yet far more irresistible. Their whole set boasts a Talking Heads nostalgia that makes me want to attend an 80s prom, get rejected, then come home and cry so I can listen to this band to make myself feel better. Joe Lean and the Jing Jang Jong achieved some level of notoriety, but disbanded in 2009. A subtle reshuffle and a deeper, meaningful sound could be exactly what they needed to achieve full-blown success.<br />
<figure id="attachment_821" aria-describedby="caption-attachment-821" style="width: 300px" class="wp-caption aligncenter"><a href="http://itsallhappeningmusic.blog.com/files/2012/02/toy.jpg"><img decoding="async" class="size-medium wp-image-821" src="http://itsallhappeningmusic.blog.com/files/2012/02/toy-300x220.jpg" alt="" width="300" height="220" /></a><figcaption id="caption-attachment-821" class="wp-caption-text">Toy</figcaption></figure><br />
 <br />
You can download Toy&#8217;s new single Left Myself Behind and Clock Chime for <a href="http://toy-band.com/" target="_blank" rel="noopener">free</a>.</p>
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		<title>The Kabeedies &#8211; Soap</title>
		<link>https://andsoshethinks.co.uk/the-kabeedies-soap/</link>
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		<pubDate>Sun, 05 Feb 2012 21:04:35 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
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		<category><![CDATA[bones]]></category>
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		<category><![CDATA[eyes]]></category>
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		<guid isPermaLink="false">http://itsallhappeningmusic.blog.com/?p=769</guid>

					<description><![CDATA[Released January 23rd 2012, on Fierce Panda. Reviewed by Francesca Baker Ah, the exuberance of indie pop. Can’t keep a lid on it. Soap, the second album from&#8230;]]></description>
										<content:encoded><![CDATA[<h2>Released January 23rd 2012, on Fierce Panda.</h2>
<p style="text-align:right;"><strong>Reviewed by Francesca Baker</strong></p>
<p>Ah, the exuberance of indie pop. Can’t keep a lid on it. <em>Soap</em>, the second album from<a href="http://thekabeedies.blogspot.com/"> <strong>The Kabeedies</strong></a> is a record of fizzing fun which twitches and convulses with giddiness. From opener <em>Hangs Up Of The West</em> with its chanting call and response, the Latin sway of <em>Santiago</em> to the Little Comets esque The <em>Boy With The Bad Mouth</em>, this is an album full of flourishes.  <em>Drowning Doll</em> will become an instantly recognisable live classic, trumpets and undulating twiddles relentlessly finding their way into the ear, and the almost rock riff on <em>Bones</em> and disco beats of lead single <em>Eyes</em> show that there is more to The Kabeedies than twee. They claim that this is their grown up record, having progressed from 2009 debut <em>Rumpus</em>, and whilst this certainly isn’t pipe and slippers stuff, there is an extra sophistication demonstrated by morose strings, galloping drums and introspective. Ultimately though, it’s still all laced with the trademark light and breezy melodies that The Kabeedies are known for, and if you fancy immersing yourself in some sugary sweetness, make sure you see them on their forthcoming tour.<br />
If you’re London based, plan a Valentine treat and take your loved and hated ones to see them at the Camden Barfly on 15<sup>th</sup> February.<br />
Directed by Spindle Films, this is the amazing video for Eyes, released on January 30th,<br />
[youtube http://www.youtube.com/watch?v=K1d6DdmFAn0]</p>
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		<title>Towns &#8211; Gone Are The Days</title>
		<link>https://andsoshethinks.co.uk/towns-gone-are-the-days/</link>
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		<pubDate>Tue, 17 Jan 2012 17:54:48 +0000</pubDate>
				<category><![CDATA[Music]]></category>
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		<guid isPermaLink="false">http://itsallhappeningmusic.blog.com/?p=701</guid>

					<description><![CDATA[Released on 20th February 2012 on Cartoon Records Reviewed by Francesca Baker A band called Towns. From Western Super Mare. Surely this will be as grim as an&#8230;]]></description>
										<content:encoded><![CDATA[<h2>Released on 20th February 2012 on Cartoon Records</h2>
<h3 style="text-align:right;">Reviewed by Francesca Baker</h3>
<p>A band called <strong><a href="http://www.townsband.co.uk/" target="_blank" rel="noopener">Towns</a></strong>. From Western Super Mare. Surely this will be as grim as an STD? Na ah. Looping like decaying rollercoasters on their last journey, <em>Gone Are The Days</em> fuzzes and fizzes, the smooth vocals lapping up the vibrating bass and guitar riff which have the texture of a seaside hooker. Drenched in lush reverb and intense, and recorded in a few hazy days with producer Owen Morris (Oasis, Verve) the 90s guitar influence is evident, calling to mind contemporaries such as <a href="http://tribesband.com/" target="_blank" rel="noopener">Tribes </a>and <a href="http://www.facebook.com/cinemawave" target="_blank" rel="noopener">Cinemawave</a>. Hosting band nights and releasing cassettes this a band clearly absorbed in the buzz of their music who deserve he attention being administered by NME and the like. Catch them with Outfit at Barfly on the 23rd of January.<br />
<a href="http://itsallhappeningmusic.blog.com/files/2012/01/towns.jpg"><img loading="lazy" decoding="async" class="aligncenter size-medium wp-image-702" src="http://itsallhappeningmusic.blog.com/files/2012/01/towns-300x210.jpg" alt="" width="300" height="210" /></a><br />
 <span><a href="http://soundcloud.com/townsmusic/gone-are-the-days">TOWNS &#8211; Gone Are The Days</a> by <a href="http://soundcloud.com/townsmusic">TOWNSmusic</a></span></p>
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		<title>Evans the Death @ Camden Barfly, 8th September 2011</title>
		<link>https://andsoshethinks.co.uk/evans-the-death-camden-barfly-8th-september-2011-2/</link>
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		<pubDate>Mon, 12 Sep 2011 13:14:10 +0000</pubDate>
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		<guid isPermaLink="false">http://itsallhappeningmusic.blog.com/?p=431</guid>

					<description><![CDATA[John Kennedy&#8217;s XFM X-Posure Live It would be easy to pigeon-hole Evans the Death before you’ve even heard a note tonight. A female lead singer with striking blonde&#8230;]]></description>
										<content:encoded><![CDATA[<h2>John Kennedy&#8217;s XFM X-Posure Live<a href="http://itsallhappeningmusic.blog.com/files/2011/09/evans-90-small.jpg"><img loading="lazy" decoding="async" class="alignright size-medium wp-image-434" src="http://itsallhappeningmusic.blog.com/files/2011/09/evans-90-small-199x300.jpg" alt="" width="199" height="300" /></a></h2>
<p>It would be easy to pigeon-hole <strong>Evans the Death </strong>before you’ve even heard a note tonight. A female lead singer with striking blonde hair, backed by a group of lads ready to bash out some melodic guitar riffs and it could be the late 80’s / early 90’s all over again and the comparisons to Fortuna Pop labelmates The Primitives, could begin. Evans the Death are not here to be typecast though. When they walk onto the Barfly stage for one of John Kennedy’s excellent X-Posure nights they look young and almost ill-at-ease, but when they play their sound is bold and heavy. Katherine Whitaker’s voice is rich and distinct, but sometimes battling to rise above the heavily distorted sound of Matt Gill’s second guitar, all the while the lead parts of main songwriter Dan Moss’ guitar dance round the melodic hooks on tracks such as <em>Telling Lies</em> and T<em>he Thread</em>. Maybe it’s the weight of knowing that they were being recorded for XFM, or perhaps they are just that shy, as between song chat is kept to the bare minimum. “Thank yous” and “this next song is…” are the most the band express, prompting their manager to heckle them from the crowd into promoting their singles clearer, leading to a slightly awkward laugh from Whitaker. It’s a shame that the sound levels are slightly out for their set because some of their tracks are brilliant. One half of new AA side single <em>I’m so Unclean </em>is the standout, with the pop-punk bass solo intro leading to the full on assault of the melody kicking in, it hits you like a freewheeling truck. As she sings the tale of heartbreak and loneliness Whitaker’s voice acquires almost Morrissey-esque inflections, whilst lyrics such as “So I stared at the cat for a while” and “When I’m watching the shopping channel, I will think of you” perfectly capture the banality of post-breakup introspection. Whilst impressive, it’s by no means a perfect set for Evans the Death tonight, with the keys and the vocals sometimes getting battered into a corner by the guitars, but with Whitaker’s awesome voice and their clever song-writing they’re certainly worth checking out.<br />
[youtube http://www.youtube.com/watch?v=xZTebot8rJU]</p>
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