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	<title>blood red shoes &#8211; and so she thinks</title>
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	<title>blood red shoes &#8211; and so she thinks</title>
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		<title>Blood Red Shoes &#8211; Mexican Dress</title>
		<link>https://andsoshethinks.co.uk/blood-red-shoes-mexican-dress/</link>
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		<pubDate>Tue, 18 Sep 2018 13:35:00 +0000</pubDate>
				<category><![CDATA[Music]]></category>
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		<category><![CDATA[new album]]></category>
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					<description><![CDATA[The brilliant and brutal Blood Red Shoes have released a new single Mexican Dress and announced their fifth studio album Get Tragic. Mexican Dress blisters and shimmers in&#8230;]]></description>
										<content:encoded><![CDATA[<p>The brilliant and brutal Blood Red Shoes have released a new single <em>Mexican Dress</em> and announced their fifth studio album <em>Get Tragic</em>. <em>Mexican Dress</em> blisters and shimmers in a business as usual fashion for the rock duo, all seething and broody. &#8216;This song is about the lengths people will go to for attention. Whether it’s online or in real life &#8211; small hits of validation and the feeling of having all eyes on you have become our generation’s biggest drug problem.&#8217; says Laura Mary-Carter (vocals/guitar).</p>
<p>Laura and Steven Ansel (vocals/drums) had an intense few years, with incessant gigging and being with one another twenty four seven. They had to go their separate ways for a while to find out what their musical relationship meant. Laura packed her bags and bought a one-way flight to Los Angeles, a complete radio-silence between the two bandmates stretching on for months. She fell in with a songwriter’s crowd, penning tracks and collaborations with big-time pop producers and pitching songs for the likes of Rihanna. Steven went out clubbing and took a hell of a lot of drugs. &#8216;I don’t remember a lot about it,&#8217; he says. &#8216;Classic break-up move, right?&#8217;</p>
<p>But now they&#8217;re back, and sounding just as bold as ever.</p>
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		<title>Blood Red Shoes &#8211; God Complex</title>
		<link>https://andsoshethinks.co.uk/blood-red-shoes-god-complex/</link>
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		<pubDate>Tue, 19 Jun 2018 15:16:45 +0000</pubDate>
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		<category><![CDATA[god complex]]></category>
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					<description><![CDATA[Blood Red Shoes were one of my favourite bands of the 2000s, and they’re back, with a simmering and devilish new tune God Complex. French photographers and video&#8230;]]></description>
										<content:encoded><![CDATA[<p>Blood Red Shoes were one of my favourite bands of the 2000s, and they’re back, with a simmering and devilish new tune <em>God Complex</em>. French photographers and video makers Roch Armando and Julien Carlier, based in Los Angeles, joined forces to direct the black and white video in which local celebrity Hugo Sanchez and his corvette stingray are featured depicting a power struggle with Laura-Mary Carter, BRS guitarist and co-vocalist. Finally she takes control, ending with her winning the fight and burying the memories.</p>
<p><iframe title="Blood Red Shoes - God Complex (Official Audio)" width="1290" height="726" src="https://www.youtube.com/embed/3P8bseKjrxk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></p>
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		<title>The next twelve months</title>
		<link>https://andsoshethinks.co.uk/the-next-twelve-months/</link>
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		<pubDate>Fri, 06 Jan 2012 22:12:51 +0000</pubDate>
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					<description><![CDATA[So now we know that it&#8217;s not the end of the world, what&#8217;s coming up in 2012? This is the stuff we&#8217;re already getting excited about. Daughter –&#8230;]]></description>
										<content:encoded><![CDATA[<h3>So now we know that it&#8217;s not the end of the world, what&#8217;s coming up in 2012? This is the stuff we&#8217;re already getting excited about.</h3>
<p><strong>Daughter</strong> – We were lucky enough to see Elena Tonra (aka <strong>Daughter</strong>) play at the beautiful St Giles in the Fields church in London just before Christmas and she absolutely blew us away. We’d been meaning to catch her for months, but events always conspired, but nothing could have prepared us for one of our gig highlights of the year. On some levels she will be pigeonholed as another ‘girl with a guitar’, but there is much more to her music. We’ve seen it described as &#8216;dream-folk&#8217; and &#8216;ghostly&#8217;, which isn’t too far wide of the mark, with the kind of subtle soundscapes that the XX do so well adding depth to her music. If we’re honest she had us hooked after one listen of <em>Landfill</em>, but live she really is something special. With a date at Islington Assembly Hall already in the diary for April and many more around the country, we really hope 2012 is her year.<br />
Listen to and buy both her EPs <a href="http://ohdaughter.bandcamp.com/">here</a>.<br />
<strong>Lucy Rose</strong> – Really excited to hear the full album from Lucy Rose. Having done the backing vocal rounds with Bombay Bicycle Club, this year is definitely her time to shine as an artist in her own right. With a voice to melt the heart and some beautifully crafted songs she’s sure to do well this year. Expect a BBC member or 2 on backing as well.<br />
[youtube http://www.youtube.com/watch?v=adBPg8Zdp2g]<br />
<strong>Alt J</strong> – We wrote this on seeing them live a couple of months back… &#8216;The last couple of years haven’t been short on intelligent, earnest ‘indie’ music, but where say Wild Beasts skirt the fine line of irritating pretentiousness, Alt – J seem more accessible in their own abstractness and imagery, but no less intelligent or intriguing in their performance and sound. On this showing, they’ll certainly be heading for the upper ends of the ‘ones to watch’ lists for 2012.&#8217; – we’ll stand by that…<br />
Social Network <a href="https://www.facebook.com/altJ.band">here</a>&#8211;<br />
 <span><a href="http://soundcloud.com/alt-j/breezeblocks">Breezeblocks (demo)</a> by <a href="http://soundcloud.com/alt-j">alt-J</a></span><br />
<strong>The Maccabees</strong><br />
Ascending and descending through the depths of all emotions, the title track from latest album Given To The Wild is a departure, brimming with wavering soft ambience, but the gritty guazey guitars, stop start rhythms and dashing assault of psychological similes that made The Maccabees one of our favourite bands remains. ‘We’ve grown up as people and changed as a band,’ guitarist Felix White said recently. ‘We’ve learned for the first time what we really wanted The Maccabees to sound like on record. It’s taken us three albums but we finally achieved that. We’ve discovered what we’re truly capable of and that feels really exciting.’ Sounds it.<br />
<strong><a href="http://itsallhappeningmusic.blog.com/files/2012/01/blood1.jpg"><img fetchpriority="high" decoding="async" class="size-medium wp-image-679 alignleft" src="http://itsallhappeningmusic.blog.com/files/2012/01/blood1-210x300.jpg" alt="" width="210" height="300" /></a>Blood Red Shoes<a href="http://itsallhappeningmusic.blog.com/files/2012/01/blood.jpg"><br />
</a></strong><br />
<strong></strong>Their Facebook bio may describe them as just &#8216;another fucking roll&#8217;n&#8217;roll band&#8217; but we know different. Scuzzy riffs, rip em up guitar work and a blistering pace, Blood Red Shoes consistently deliver behemoths of tunes, and the follow up to Fire Like This and Box Of Secrets won&#8217;t be any different. Besides, since when has being a rock&#8217;n&#8217;roll band been bad? Some narrow minded twit called David A Noebel stated on his spoken word album The Marxist Minstrels back in 1974 that rock&#8217;n&#8217;roll &#8216;music is loud, primitive, insistent, strongly rhythmic and releases in an undisguised way the all-too tenuously controlled, newly acquired physical impulses of the teenager. Mix this up with the phenomenon of mass hypnosis, contagious hysteria and the blissful feeling of being mixed-up in an all-embracing, orgiastic experience, and every kid can become ‘Lord of the Flies’ or the Beatles.&#8217; Sounds bloody brilliant doesn&#8217;t it?</p>
<h3>Ten bands you must hear this year (with handy links so you can start right now)</h3>
<p><strong>Fanzine</strong><br />
<a href="http://soundcloud.com/fanzine/low">Low</a> by <a href="http://soundcloud.com/fanzine">Fanzine</a><br />
<strong>Lanterns On The Lake</strong><br />
 <span><a href="http://soundcloud.com/generator/lanterns-on-the-lake-lungs">Lanterns on the Lake &#8216;Lungs Quicken&#8217;</a> </span><br />
<strong>Grimes</strong><br />
 <span><a href="http://soundcloud.com/myblogcliche/grimes-skin">Grimes &#8211; Skin</a> </span><br />
<strong>Soldiers Can&#8217;t Dance</strong><br />
 <span><a href="http://soundcloud.com/soldierscantdance/soldiers-cant-dance-lego">Soldiers Can&#8217;t Dance &#8211; Lego</a> by <a href="http://soundcloud.com/soldierscantdance">soldierscantdance</a></span><br />
<strong>Spring Offensive</strong><br />
 <span><a href="http://soundcloud.com/springoffensive/01-a-stutter-and-a-start">A Stutter and A Start</a> by <a href="http://soundcloud.com/springoffensive">springoffensive</a></span><br />
<strong>Rachel Sermanni</strong><br />
 <span><a href="http://soundcloud.com/rachelsermanni/the-fog">The Fog</a> by <a href="http://soundcloud.com/rachelsermanni">Rachel Sermanni</a></span><br />
<strong>Young British Artists</strong><br />
 <span><a href="http://soundcloud.com/red-deer-club/young-british-artists-1">Young British Artists &#8211; Everything In Front Of You</a> </span><br />
<strong>Ideals</strong><br />
 <span><a href="http://soundcloud.com/ideals/intruderrecords-significant-other-ideals">Significant Other</a> by <a href="http://soundcloud.com/ideals">Ideals</a></span><br />
<strong>The Wave Pictures</strong><br />
 <span><a href="http://soundcloud.com/the-drift-record-shop/the-wave-pictures-sweetheart">The Wave Pictures &#8211; Sweetheart</a> </span><br />
<strong>Gross Magic</strong><br />
 <span><a href="http://soundcloud.com/abeano/gross-magic-yesterdays">Gross Magic &#8211; Yesterdays</a> </span></p>
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		<title>Trucking Awesome</title>
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		<pubDate>Thu, 09 Sep 2010 20:54:36 +0000</pubDate>
				<category><![CDATA[Music]]></category>
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					<description><![CDATA[Truck Festival July 23rd &#8211; 25th 2010 Steventon, Oxfordshire Francesca Baker It‘s easy to see why The Guardian awarded Truck festival the accolade of &#8216;Best Example‘. This year‘s Truck Lucky&#8230;]]></description>
										<content:encoded><![CDATA[<div><strong>Truck Festival</strong></div>
<div><strong>July 23rd &#8211; 25th 2010<br />
Steventon, Oxfordshire</strong></div>
<div>Francesca Baker</div>
<div>
<em>It‘s easy to see why The Guardian awarded <strong>Truck festival </strong>the accolade of &#8216;Best Example‘. This year‘s Truck Lucky (there‘s a Macbeth style reluctance to reference the fact that 2010 is the festival&#8217;s 13th birthday) was testament to the success and devotion that founder and fueller Robin Bennet has devoted for this baker‘s dozen years, taking the festival from a few bands literally falling off the back of a truck, to an essential part of Oxfordshire‘s music calendar, and jewel in the boutique festival crown.</em><br />
<strong>TRUCK STAGE</strong><br />
Giddy enthusiasm with self deprecation and an old soul perspective on the young soul‘s emotions is what we expect from <strong><em>Los Campesinos</em></strong>, and they did not disappoint. Songs such as &#8216;I Just Sighed. I Just Sighed, Just So You Know‘, &#8216;We&#8217;ve Got Your Back (Documented Minor Emotional Breakdown #2)‘ and &#8216;We Are Beautiful, We Are Doomed‘ are as turbulent and somewhat essential as their titles suggest. Thomas Truax came out early Sunday morning to serenade us all with his self built The Hornicator, opening with a curiously oddball ballad entitled &#8216;Cannibals Have Kidnapped Our Nicole Kidman.‘ More a visual delight, like Tim Burton had done a supermarket sweep in the Early Learning Centre, than an aural one. We left at &#8216;Ode To The Elderberry Tree.‘ The impossibly cool <em><strong>Blood Red Shoes</strong></em> rocked through their sizzlingly sexy sounds, angsty and driven throughout, with newer album &#8216;Fire Like This‘ sustaining the firecracking mania that favourites such as &#8216;I Wish I Was Someone Better‘ and &#8216;Try Harder‘ evoked in the crowd. Quality of the banter was a little disappointing though – less of the shark facts, eh, Laura-Mary?<br />
<strong>BARN STAGE</strong><br />
With one hit song, and one miss song, <em><strong>The Gullivers</strong></em> opened the Barn stage on Saturday morning, and if their punk-cum-broody style didn‘t provoke love in everyone of the crowd, the bed hair come hither looks of singer and keyboardist Sophie certainly did. <em><strong>Darwin Deez</strong></em> were the surprise highlight of the day, the lanky hippy and his band performing hilarious dance routines in between, and during, their captivating and buzzing alt-disco hits. Brontide entertained with their mish mash of ska, wailing monkeys and tribal calls, all tied together with a big Indiebow.<br />
<strong>VILLAGE PUB</strong><br />
Mixed verdicts from our group for <em><strong>alphabetbackwards</strong></em>, although bizarrely we all cited the same bits of evidence – 1. Clearly influenced by Frank Turner 2. Songs about Polar Pears &amp; Primark 3. Attempting to be astute 4. Gangly dancing. You be the judge.<em><strong>Good Shoes</strong></em>, were, er good, but not as good as other times, the crowd of 15 year olds determined to only be happy when Morden was played and they could thrash in the mosh pit and beat each other until their little hearts were content. Not calypso in sound, but more reminiscent of the frenetic buzz and sugar rush that comes from too many pina coladas in the sunshine, <em><strong>Is Tropical</strong></em>devilishly mingle genres, twisting bleeps with quivering cadences, and throwing heart and soul into the proceedings, until the music produced can only be described as how Skittles would sound if they were songs.Wandering into the Village Pub I was informed that <em><strong>La Shark</strong></em> were &#8216;good, but whacky.‘ &#8216;Well&#8217;, I responded &#8216;all the best things in life are.‘ Half an hour of flute, flips and French from La Shark confirmed this. Ramshackle psychedelica of the best kind.<br />
<strong>BEATHIVE</strong><br />
<strong>Chad Valley</strong>’s wonderfully airy and serene dance, like Ibiza on a Sunday morning is like the b-side of the cluttered electro pop of Hugo Manuel‘s other project, the much loved in Oxford Jonquil. &#8216;If you see no other band this weekend, make sure you see<strong>Keyboard Choir</strong>’ we were told. If ‘d seen no other band I probably would have run as fast as my little legs would carry me, never to set foot in Oxfordshire again for fear of being tarnished by the evil musical spirit of crapness that seems to pervade. No, that‘s not fair &#8211; the local teenagers dressed in boxes of tin foil seemed to love this guitarless and lyricless bunch of blokes pressing the demo buttons on their keyboards.<br />
<strong>MARKET STAGE</strong><br />
The Monty Python-esque <strong>Luke Smith</strong> raised a few smiles and knowing eyebrows, with his sidekick on the guitar reading scripted jokes about tours and t-shirts, and a judicious melody called &#8216;Facist Fun‘, al about the kind of fun you should be having. A twist on trad folk, provincial darlings <strong>Ute </strong>never fail to demonstrate why BBC Oxford are backing their chaotic and jittery whimsical pop.
</div>
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		<title>Where next?</title>
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		<pubDate>Sun, 09 May 2010 20:18:47 +0000</pubDate>
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					<description><![CDATA[Blood Red Shoes @ Revenge Thursday 21.45 Not that they need a bigging up in any way, shape or form with this being a home tie n’all for&#8230;]]></description>
										<content:encoded><![CDATA[<p><strong>Blood Red Shoes @ Revenge</strong><br />
Thursday 21.45<br />
Not that they need a bigging up in any way, shape or form with this being a home tie n’all for the Brighton duo, but this Thursday night slot should go off big time as they clatter there way through tracks from both killer albums. I’m physically jealous I can’t get down for this (Pavement in Brixton is a good excuse though yeah?) as newbies such as ‘Don’t Ask’, ‘Light it Up’ and ‘Count Me Out’, for me, stand right up there with fans favourites from Box of Secrets and it’s just going to be intense. I’m done talking and choking up, just check it out.<br />
<strong>Stand out tracks </strong>– all of them&#8230;<br />
<strong>Yuck @ Corn Exchange</strong><br />
Thursday 21.30<br />
Having had the Gary Numan synths, the Spandau Ballet cheese, female glamour pop and seemingly every other 80s sound revived in the past couple of years it was only a matter of time before the American Indie of Dinosaur Jr, Sonic Youth and Pavement got a chance. Take two mem-bers from the remains of Cajun Dance Party (music veterans still in their teens), sprinkle in a Japanese bassist and a New Jersey Drummer and voila, it’s Yuck. Hav-ing only played a handful of dates as yet, but quickly building a good live reputation, they play a blend of scuzzy, melodic gui-tars and youthful, harmonious vocals with little of the urgency or feistiness of CDP which allows for a more mature, laid back sound that shouldn’t be missed.<br />
<strong>Stand out Tracks</strong> – Georgia, The Automatic<br />
<strong>Unicorn Kid @ Dome</strong><br />
Saturday 20.30<br />
Chip Tunes? Happy Hardcore? Tartan trance? Hyper-pop? Whatever you want to call it Scottish teenager Oli Sabin, aka Unicorn Kid, creates some huge tunes which has led him to providing remixes for the likes of Pet Shop Boys and Gorillaz. Sounding a bit like a euphoric Crystal Castles without the screaming banshee vocals, and with Huw Stephens and Zane Lowe firmly on board, tracks such as Lion Hat and new single Dream Catcher are going to sound massive live. ‘Listening to Unicorn Kid ‘is how I imagine Pacman feels when he eats one of those flashing pills and turns medieval on those ghosts. Awesome.<br />
<strong>Stand out tracks</strong> – Wee Monster, Lion Hat<br />
<strong>King Charles @ Queens Hotel</strong><br />
Thursday 22.15<br />
Probably vying with Darwin Deez for the ‘get your hair cut you hippy’ award at TGE, but his unique styles go further than his hirsuteness . Twisting folk, synths, touches of hip-hop and even a couple of guitar solos (woop), King Charles dishes out genre defining liaisons that have been earning him rave reviews of late. Having previously supported the likes of Noah and the Whale and Laura Marling, but seemingly having broken free from the current folk scene, he creates big songs that lose none of their subtleness live. Definitely worth checking out.<br />
<strong>Stand Out Tracks </strong>– Love Lust, Time of Eternity<br />
<strong><br />
Villagers @ Prince Albert (Friday 14.00) Unitarian Church (Friday 21.00) Revenge (Saturday 21.45)</strong><br />
Currently getting a lot of night time Radio 1 airplay with current single ‘Becoming a Jackal’, and being compared to every singer / songwriter from Neil Young to Bright eyes, Irishman Conor J O&#8217;Brien and his band play his beautiful, poetic tracks with 3 shows over the weekend. The comparisons are certainly easy to hear with O’Brien’s voice very similar to Connor Oberst’s, and some-times he toes the line of earnestness and pretention, but he’s certainly one to watch especially for fans of Eliot Smith, Bon Iver or the aforementioned Bright Eyes.<br />
<strong>Stand out Tracks</strong> – Becoming A Jackal<br />
<strong><br />
Blackchords</strong><br />
Thursday 19.30 @ Aussie BBQ, Coalition<br />
If you’re heading down to the Aussie BBQ at Coalition solely for Fosters and shrimps, your expectations of Australian music having ignited and extinguished with Kylie and Jason lend an ear to Blackchords. Soaking up everything from Nick Drake and Ryan Adams to The Smiths and The Cure, Blackchords ring out from their musical sponge of influences deep and reflective music that is arrestingly relevant as well as an antidote to everyday life.<br />
Recent debut is twilight record, the songs are the type that are difficult to pinpoint and define, yet feel as natural as the sleepy haze this time of day evokes. Despite being architecturally assured the overarching image is of an open wound that needs healing, especially in ‘Broken Bones’ and ‘Pretty Little Thing.’<br />
This is not to say that ‘Blackchords’ are a despondent band, far from it. Bones’ a rollicking rocker. With every swoop of the guitar and bang of the drums you’ll become one step closer to forgetting the words to ‘Especially For You.’</p>
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		<title>Blood Red Shoes &#8211; Cro Bar</title>
		<link>https://andsoshethinks.co.uk/blood-red-shoes-cro-bar/</link>
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		<dc:creator><![CDATA[admin]]></dc:creator>
		<pubDate>Sun, 07 Feb 2010 19:43:39 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[blood red shoes]]></category>
		<category><![CDATA[box of secrets]]></category>
		<category><![CDATA[colours fade]]></category>
		<category><![CDATA[cro bar]]></category>
		<category><![CDATA[fire like this]]></category>
		<category><![CDATA[live]]></category>
		<guid isPermaLink="false">http://itsallhappeningmusic.blog.com/?p=277</guid>

					<description><![CDATA[Debut album ;Box of Secrets&#8217; set some high standards for Blood Red Shoes to reach. The tricky second album is made even more tricky when the first was&#8230;]]></description>
										<content:encoded><![CDATA[<p>Debut album ;Box of Secrets&#8217; set some high standards for Blood Red Shoes to reach. The tricky second album is made even more tricky when the first was so damn good. Secondly, it‟s always interesting to see if an album that does appear to capture the raw energy and vigour can be matched by the live performance, and this meant that when I found out Blood Red Shoes would be playing a &#8216;secret&#8217; gig at the Cro Bar in Soho, showcasing some new tracks from second album &#8216;Fire Like This&#8217; I had to head down.<br />
An intimate venue to say the least, the capacity of Cro Bar is around 80 people and this, combined with the colossal sounds of a Blood Red Shoes set, ensured my ear drums took one hell of a pummelling.<br />
In all honesty, I was a little worried about how the night would pan out when opener &#8216;Keeping It Close&#8217; was followed by another new song entitled &#8216;It Is Happening Again&#8217;. Neither song provoked a particularly good reception from the packed in crowd, despite both songs seemingly having a similar successful formula to those from &#8216;Box of Secrets&#8217;. However, old favourite &#8216;Say Something, Say Anything&#8217; kicked life into the crowd and both Steven and Laura-Mary appeared to thrive on this.<br />
The set continued with new songs interweaved with older ones and, despite sound issues that meant the vocals were often inaudible, the return of Blood Red Shoes was an undoubted success. Set closer &#8216;Colours Fade&#8217;, a free download from the official website, is the only new song played on the night that appears to differ significantly from previous material, due to it having a much darker feel and ending with a long instrumental.<br />
On tonight‟s performance, the new album &#8216;Fire Like This&#8217; is set to live up to the expectations created by &#8216;Box of Secrets&#8217;, Blood Red Shoes‟ always manages to astound due to the sheer levels of vociferous sound that two people can make – both on stage and on stereo. Tonight‟s gig certainly has me excited for what should be another excellent album.</p>
<p style="text-align:right;">Francesca Baker</p>
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