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	<title>dylan thomas prize &#8211; and so she thinks</title>
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		<title>Stephen Sexton &#8211; If All the World and Love were Young</title>
		<link>https://andsoshethinks.co.uk/stephen-sexton-if-all-the-world-and-love-were-young/</link>
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		<pubDate>Tue, 07 Apr 2020 17:38:01 +0000</pubDate>
				<category><![CDATA[Literature]]></category>
		<category><![CDATA[dylan thomas prize]]></category>
		<category><![CDATA[If All the World and Love were Young]]></category>
		<category><![CDATA[poetry]]></category>
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					<description><![CDATA[When Stephen Sexton was young, video games were a way to slip through the looking glass; to be in two places at once; to be two people at&#8230;]]></description>
										<content:encoded><![CDATA[<p>When Stephen Sexton was young, video games were a way to slip through the looking glass; to be in two places at once; to be two people at once. In these poems about the death of his mother, this moving, otherworldly narrative takes us through the levels of <i>Super Mario World</i>, whose flowered landscapes bleed into our world, and ours, strange with loss, bleed into it. His remarkable debut <em>If All the World and Love were Young</em> is a daring exploration of memory, grief and the necessity of the unreal. He&#8217;s looking back, and there&#8217;s elements of the adult/child relationship there. It&#8217;s a book about loss &#8211; for the child, for activities, for relationships, for a life that has passed. You can see classical echoes, as well as the bucolic and arboreal &#8211; If all the world and love were young’ echoes the opening line from Walter Raleigh’s <em>The Nymph’s Reply To The Shepherd</em> a response to Christopher Marlowe’s <em>The Passionate Shepherd To His Love</em> &#8211; even as <em><i>Super Mario World </i></em>is clearly dripping in 1990s culture. It&#8217;s synesthetic, but not try hard. Sexton told the Irish Times &#8216;I’m fascinated by how verbal and visual signs correspond, but I grew a little bored of writing poems after paintings&#8217; so three years after the death of his mother started writing this collection. All lines are of sixteen syllables; as Stephen Sexton explains in a note, &#8217;16-bit refers to how much memory the system can process at one time&#8217;. It&#8217;s a bold telling, but also soothing, and dreamlike, and no wonder it&#8217;s on the list for the Dylan Thomas Prize 2020.</p>
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