Evans the Death – and so she thinks

Evans The Death & Flowers @ Sebright Arms

admin — Sun, 08 Feb 2015 13:12:14 +0000

Saturday 7th February
If you’re seeking a foray into indie pop delights, a Fortuna Pop! is probably the place to go. With Flowers and Evans The Death on the bill, we expected guitar jangles and rustling drum beats to ricochet around the room at the Sebright Arms – and were not disappointed – but this happy and pulsing clatter was also infused with a slight element of the bittersweet. These are two bands who write flickering and joyous songs that are as tempestuous as they are energetic, written from a place of authenticity and an acceptance of the affecting realities of life.

Gazing around we were struck by how crowd was older than you might expect at this hipster London venue, even whilst the band members looked as adolescent as their songs sounded. Perhaps this proves that the basic tenets and emotions of human experience are the same, regardless of age or lifestyle – we all struggle with what to feel, where to go, what to eat, who to hang out with, and all the other mundane trivialities that these two bands explore in their catalogue of sparkly yet sardonic songs. Seamlessly shifting between deep and lovelorn yearning and positive life affirming sentiment, both bands put on a fun show. There’s an assumption that indie must be deep, and music challenging, but sometimes, fun is enough.
Flowers debut album Do What You Want To, It’s What You Should Do was released last year on Fortuna Pop!, and live they are just as bright and joyous as on record. Fresh vocals from the impish Rachel Kennedy bring songs such as Young, Lonely I Love You and Joanna alive, simmering with maximum emotion whilst pressing minimal demands. Evans The Death are frenetic, insistent and bounding with energy, Katherine Whitaker’s gnarly vocals bringing to life the songs penned by guitarist Dan Moss. Threads and Unclean evoke tapping legs and shifting shoulders, playfully skipping along, and new single Enabler, off second album Expect Delays (get it?) suggests that they have not lost their jagged and jangly edge.
The bands and their label have never claimed to be rewriting the musical rulebook. But that’s fine. It’s not what I want on a cold Saturday. Whilst this wasn’t a revelatory or transcendent experience in the slightest, it was nice and fun. And nice and fun is good.

Die! Die! Die! & Evans The Death

admin — Mon, 25 Mar 2013 20:41:37 +0000

Hoxton Bar & Kitchen, Friday 22nd March

There seems a theme in the names tonight. When I tell my friends what I am up to on this grim and rainy Friday they seem concerned as to how the night will resonate with my swinging moods. No death metal or despondent eulogies here though. Whilst neither band are exactly rivaling Aqua in the happy go lucky pop stakes, this is ubpeat and infectious guitar music, all urgency and drama.
Grunge influenced Evans The Death come with an added dollop of grime live, their songs of break up and despondency viewed through the prism of good nights on lager and grey hangover days. They save hit So Unclean for the final song, but have drunken fans dancing way before that. Given that this is an early show, and at 8.15 most of Hoxton’s uber cool nightowls are probably only just having breakfast, (Do uber cool people even have breakfast? Do they say uber?) this is no small feat.
Die! Die! Die! are a frenetic punky four piece from New Zealand. Letting rip through their recently released fourth album Harmony as well as their back catalogue, lovely frontman Andrew displays vigour and vitriol throughout his delivery, and the angular riffs and punchy drums perforate room for much of the set. This trio are more than just noisy punk, angry and vitriolic though songs such as Oblivion and No One Owns A View are certainly ferocious enough. Take the dreamy shoegaze on perfect Trinity, or meltingly simple Season’s Revenge. Whether exalting furious melodies and needle point sharp guitar work or simmering along with malevolence Die! Die! Die! have got presence and power, and a huge dash of punk spirit. Which is all you can ask for on a Friday night.

Photos by Zoran Veselinovic

Two Thousand And Eleven – top year

admin — Fri, 06 Jan 2012 20:14:16 +0000

Ah 2011. What a year. It probably won’t go down in musical history like 1977 (Sex Pistols), or 1995 (Britpop), 1963 (The Beatles) or dammit, even 2004 (X Factor), but we’ve still had a bloody good time listening to music, getting all fired up on the thrill of a good melody and a banging riff. We’ve been waxing lyrical about our rocks and sucks in the pub anyway, so thought we might as get it down to share. Here is our year in lists. And no, sorry Los Campesinos, we will never stop stealing that line.
Once you’re done, click here to see what It’s All Happening are looking forward to in 2012.

Albums we’ve loved

Veronica Falls – Veronica Falls
Almost exactly 18 months ago we interviewed a little known band called Veronica Falls in which they talk of their distaste for ‘labels’, ‘scenes’, ‘genres ‘, ‘tweeness’ and pretty much anyone or anything that tried to define or pigeon-hole them. Fair enough. They also talk about their plan for an album…and well, basically a lack of one. Fast forward 18 months and they’re headlining stages at Field Day, touring across Europe and the US and recording their debut album twice, scrapping one and re-recording the finally released version in 3 days. Who knows what that original version sounded like, but however bad they thought the original recording was, nothing can hide the sheer quality and variation in their song writing . From the perfect pop song clout of Stephen, the melodic roundabout of The Fountain, to the shadowy punch of Bad Feeling and the anthemic Come On Over, each track on this album delivers. There’s a layered craft to each and every song, from the harmonised vocals to the interweaving guitars, that makes this a truly brilliant album. Just don’t mention cardigans to them.

Elzhi – Elmatic
Here is an example of a clever concept that evolved into something far greater. A tribute to Nas’ seminal 1994 album Illmatic, Elzhi moves the scene from an oft-romanticised New York to a gritty Detroit, where shots go off at the funniest hours (Detroit State of Mind). El’s stark imagery cleverly references Nas’ phrasing but stripped of any glamorisation of project life, calling the hood a glasshouse the devil throws stones through. However, there is light amidst the shade. Memory Lane cheekily reminisces about being back in junior high ‘with your report card/Trying to make a B out of the letter F,’ and One Love is a touching tribute to ‘El’s girl who cooked me hot meals/Helped me when I got bills.’ Best of all, Will Sessions’ lush arrangements root the tracks in the rhythm and blues of Detroit’s own Funk Brothers, meaning that more than a simple tribute, Elmatic is one of the finest hip hop albums of the decade so far.

Grouplove – Never Trust A Happy Song
The sounds of a summer, toes wriggling in grass, beers bubbles cracking on the tongue, cheap wine at the side of bonfires, a moment of drunken epiphany shared with friends. The equivalent of a sherbet fountain – all fizz, fun and fiasco – but with the reality hit of liquorice that stops it all from being too saccharin and suggests these guys actually mean it. Never Trust A Happy Song They Say – with the euphoria evident in this trip of an album, this is contender for most dishonest album of the year. Love it.
Other long players that have rocked It’s All Happening’s world this year include:
Summer Camp – Welcome To Condale
Elbow – build a rocket boys!
Feist – Metals
Fleet Foxes – Helplessness Blues
Pharoahe Monch – W.A.R. (We Are Renegades)
Radiohead – The King of Limbs
The Streets – Cyberspace and Reds
Tom Waits – Bad as Me
Big K.R.I.T. – Return of 4Eva
James Blake – James Blake
Bon Iver – Bon Iver
Kate Bush – 50 Words for Snow
Death Cab for Cutie – Codes and Keys
The Weekend – House of Balloons
Wild Beasts – Smother
Pete and the Pirates – One Thousand Pictures
Lanterns on the Lake – Gracious Tide, Take Me Home
Metronomy – The English Rivieria
Deer Tracks – The Archer
Art Brut – Brilliant Tragic

Tracks of the year

Bos Angeles – Beach Slalom
It may be all over in 2 minutes and 35 seconds, but this simple and youthful tale of a break-up stirs memories of teenage love and regret that had us hooked from the first listen. From the simple 2 note intro to the frenetic ending it encapsulates everything we love about discovering new bands. There’s nothing showy or over-thought, the recording sounds live and unpolished, and it seems to achieve everything it sets out to do with minimal fuss. The guitar part nods to Johnny Marr, the bassline’s got Peter Hook all over it and the hushed almost spoken vocals drift solemnly over proceedings, portraying a real sense of introspection and apology to what is ultimately a post-punk salvo of a track. They may never write anything as good as this again (we obviously hope they do), but Beach Slalom is as close to a genuine and honest guitar pop song as we could find in 2011 and we love it.
Bos Angeles – Beach Slalom
Evans the Death – I’m So Unclean
Favourite lyrics of the year on this thrashy and reflective tale of heartbreak… “When I’m watching the shopping channel, I will think of you; When I’m making a sandwich, I will think of you; When I’m trying to get to sleep, I will think of you”.
I’m So Unclean by Evans the Death
Big Deal – Talk
Has the anguish and torture of being unable to articulate basic words of lust and longing ever been so perfectly articulated? A seething bass line, wiltingly cutting delivery, hollow haze and the killer line dished up with such nonchalance, ‘all I wanna do is talk, but seeing you fucks me up,’
Talk by Big Deal
Slow Club – If We’re Still Alive
A soft drum that taps like a heartbeat in angst, the chiming organ teardrops, forlorn yearning of Rebecca’s vocal, building layers reminiscent of 50s girl groups, the killer electric riff followed by an almost calypso beat, a bridge that curls and kisses its way in, all viewed through the eyes of two hopeless romantics. Perfect.
Slow Club – If We’re Still Alive

The live stage – our favourite gigs

Pulp – Take your pick. Brixton Academy, Reading Festival, Isle of Wight. All three were very special. He writhes , he poses, he grooves, and makes us all feel us all wanna be Common People.
[youtube http://www.youtube.com/watch?v=SuVSWe8RkJc]
Pete and the Pirates at Buffalo Bar, 22 Nov – Fist time we’d seen PATP in several years, and we’d forgotten how much we love them. Intimate venue, great tunes.
We Were Promised Jetpacks at XOYO, 12 Oct – What a gig. WWPJ debut album was a job to behold, but their second album released earlier in 2011 is probably my album of the year. They did not disappoint at XOYO (personal highlight being during their biggest hit Quiet Little Voices, when lead singer Adm was hit by a bottle of beer so instead of singing ‘we’re young again’ he creatively changed the words to ‘you’re a c**t’ whilst pointing at the perpetrator. Priceless. With support coming from the wonderful cheeky chaps and chappess that are Let’s Buy Happiness, this was an all-round great gig.

2.54 at Corsica Studios, 9 Nov – The night that it felt like everything came together for 2.54.

Alphabet Backwards, The Switch and Lawrence Bray at The Kings Head, 18 June. Or so I’ve heard. Can’t remember much.

There’s nothing like a muddy field – festival highlights

Pulp (see above!). Ordinarily, I’d find it more than a little strange to watch a man in his 40s thrusting on top of an amp whilst singing ‘This is Hardcore’. However, this was the Return of Jarvis. It was one hell of a night.

The Great Escape – Hard to pick out a single moment. For me, The Great Escape signifies the start of the festival season, ice cream on the beach and discovering a pier load of new music. This year was no different. Personal highlights were Out Like a Lion, a great set and top interview from Team Me and Two Wounded Birds, who later went to play our Christmas show, and one of the most gloriously technicolour and serotonin fuelled gigs of my life with Grouplove and
Foster The People… Other top moments include an interview with the lovely Rachel Sermanni, Sarah Richardson trying to convince me she was hanging out with Snoop Dogg and meeting many fellow bloggers/ music people for the first time. It’s not only new bands though, and as always, Eddie Argos of Art Brut had The Haunt in the palm of his hand, wrapped in the cable of his microphone, sitting down on the floor at his will and up in the air when the hormonal fuelled Emily Kane, My Little Brother and Modern Art reach their climax. Brilliant.

Sissy & the Blisters at Camden Crawl, or Spector at Field Day – we couldn’t decide between these two. Both were the first time we’d seen each band, and both blew usaway.

Alphabet Backwards / Spring Offensive / Gunning for Tamar at Truck Festival – Three awesome Oxford bands at a festival in Oxfordshire. ‘nuff said. And all lovely, lovely people too.
Tribes at Reading – It’s a little scary when a band sings nostalgically about the 1990s. However, once we’d got over the realisation that we are now old, Tribes set at Reading was an enjoyable set to a buzzing crowd.
[youtube http://www.youtube.com/watch?v=XoioAwx0v-Q]

Evans the Death @ Camden Barfly, 8th September 2011

admin — Mon, 12 Sep 2011 13:14:10 +0000

John Kennedy’s XFM X-Posure Live

It would be easy to pigeon-hole Evans the Death before you’ve even heard a note tonight. A female lead singer with striking blonde hair, backed by a group of lads ready to bash out some melodic guitar riffs and it could be the late 80’s / early 90’s all over again and the comparisons to Fortuna Pop labelmates The Primitives, could begin. Evans the Death are not here to be typecast though. When they walk onto the Barfly stage for one of John Kennedy’s excellent X-Posure nights they look young and almost ill-at-ease, but when they play their sound is bold and heavy. Katherine Whitaker’s voice is rich and distinct, but sometimes battling to rise above the heavily distorted sound of Matt Gill’s second guitar, all the while the lead parts of main songwriter Dan Moss’ guitar dance round the melodic hooks on tracks such as Telling Lies and The Thread. Maybe it’s the weight of knowing that they were being recorded for XFM, or perhaps they are just that shy, as between song chat is kept to the bare minimum. “Thank yous” and “this next song is…” are the most the band express, prompting their manager to heckle them from the crowd into promoting their singles clearer, leading to a slightly awkward laugh from Whitaker. It’s a shame that the sound levels are slightly out for their set because some of their tracks are brilliant. One half of new AA side single I’m so Unclean is the standout, with the pop-punk bass solo intro leading to the full on assault of the melody kicking in, it hits you like a freewheeling truck. As she sings the tale of heartbreak and loneliness Whitaker’s voice acquires almost Morrissey-esque inflections, whilst lyrics such as “So I stared at the cat for a while” and “When I’m watching the shopping channel, I will think of you” perfectly capture the banality of post-breakup introspection. Whilst impressive, it’s by no means a perfect set for Evans the Death tonight, with the keys and the vocals sometimes getting battered into a corner by the guitars, but with Whitaker’s awesome voice and their clever song-writing they’re certainly worth checking out.
[youtube http://www.youtube.com/watch?v=xZTebot8rJU]