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	<title>Jarvis Cocker &#8211; and so she thinks</title>
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	<title>Jarvis Cocker &#8211; and so she thinks</title>
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		<title>Socks to make you smile</title>
		<link>https://andsoshethinks.co.uk/socks-to-make-you-smile/</link>
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		<pubDate>Sat, 02 May 2020 09:03:48 +0000</pubDate>
				<category><![CDATA[Thoughts]]></category>
		<category><![CDATA[Jarvis Cocker]]></category>
		<category><![CDATA[socks]]></category>
		<category><![CDATA[wine]]></category>
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					<description><![CDATA[I’m a cold person. Not as in mean, with a hard personality and severe tone. Just genuinely quite chilly most of the time. So a good pair of&#8230;]]></description>
										<content:encoded><![CDATA[<p>I’m a cold person. Not as in mean, with a hard personality and severe tone. Just genuinely quite chilly most of the time. So a good pair of socks is essential. But I get bored of my black multipack pairs. And sometimes it’s nice to see something cheerful peeking out from under my trousers.</p>
<p>Like my excellent new Jarvis Cocker and wine socks from <a href="https://printsfield.com/">Printsfield</a>. They specialise in personalised socks (and pants!), and ship all over the world. Whether its funny photos to make you smile, a memorable image that acts as a momento, or a tribute to a pet, there’s plenty of options.</p>
<p>The company began two years ago. Jakub Konopka, one of the creators, says ‘We knew from the very beginning that we want to give our clients something truly unique and special. So it was clear that we’ll create a personalized product that works great as a gift or souvenir idea. One of us is also a passionate dog owner, so we were aware of how much people identify with their four-legged friends and love to share their funny photos. The combination of these two ideas and observing market trends gave rise to our idea of funny ​​personalized socks. Who doesn&#8217;t love colourful socks with crazy designs?’</p>
<p>Pet owners are their main group of clients, followed by people in love, happy husbands, partners and girlfriends who want to make a funny and one-of-a-kind gift for their loved one. There is also a growing group of young parents who order socks with the image of their cute kids. But there are also completely different stories &#8211; such as a huge order for employees of a large company &#8211; all with the image of their boss, and one a boyfriend who wanted to print his arse on the socks as a gift for his girlfriend. It was difficult to dissuade him from this idea…</p>
<p>I was lucky enough to be given my pair of super sexy socks, and am very grateful for them. If you would like your own, <a href="https://printsfield.com/" target="_blank" rel="noopener">Printsfield</a> are offering 20% off to readers of my blog. Just pop in the code andsoshethinks20.</p>
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		<title>The best Christmas present yet?</title>
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		<pubDate>Thu, 27 Dec 2012 14:14:43 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[after you]]></category>
		<category><![CDATA[Christmas]]></category>
		<category><![CDATA[Jarvis Cocker]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[pulp]]></category>
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		<category><![CDATA[wonderful]]></category>
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					<description><![CDATA[Pulp &#8211; After You It&#8217;s All Happening loved their socks, were rapt at the gifts of cheap aftershave, and utterly delighted with the sixth tin of Family Circle&#8230;]]></description>
										<content:encoded><![CDATA[<h2>Pulp &#8211; After You</h2>
<p>It&#8217;s All Happening loved their socks, were rapt at the gifts of cheap aftershave, and utterly delighted with the sixth tin of Family Circle biscuits, but this post from Jarvis and the gang has got to top all the presents. The enviably lucky attendees of <strong>Pulp&#8217;</strong>s recent Sheffield homecoming show were were given Christmas cards with a download code for &#8216;a little present&#8217; which was to be submitted to the band’s website on Christmas Day. Written in Jarvo&#8217;s satirical style, fans were instructed not to peak, as that would be &#8216;naughty.&#8217;<br />
<em>After You </em>track was first demoed by the band during the sessions for 2001&#8217;s <em>We Love Life</em>, but this version is a new studio recording produced by James Murphy in the last couple of months, during their Coachella gigs. Plans for 2013 include &#8216;sailing off into the sunset.&#8217; In a recent interview with <em>Q</em> Jarvis Cocker concluded that whilst &#8216;we’ve played for a while and it’s been really good&#8230;you can’t keep doing that forever.&#8217;<br />
Until next time, we&#8217;ll take <em>After You</em> and be estatically grateful. Ta, guys.<br />
<a href="http://www.facebook.com/iahmusic?ref=hl"><img fetchpriority="high" decoding="async" class="aligncenter size-medium wp-image-1602" src="http://itsallhappeningmusic.blog.com/files/2012/12/pulp-for-you-300x300.jpg" alt="" width="300" height="300" /></a><br />
<em>Photo via <a href="http://baritalia.activeboard.com/t51843401/christmas-cards/" target="_blank" rel="noopener">Bar Italia</a></em></p>
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		<title>Two Thousand And Eleven &#8211; top year</title>
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		<pubDate>Fri, 06 Jan 2012 20:14:16 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[2:54]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[50 Words for Snow]]></category>
		<category><![CDATA[alphabet backwards]]></category>
		<category><![CDATA[art brut]]></category>
		<category><![CDATA[Bad as Me]]></category>
		<category><![CDATA[best of]]></category>
		<category><![CDATA[big deal]]></category>
		<category><![CDATA[Big K.R.I.T. Return of 4Eva]]></category>
		<category><![CDATA[Bon Iver]]></category>
		<category><![CDATA[Bos Angeles]]></category>
		<category><![CDATA[Brilliant Tragic]]></category>
		<category><![CDATA[Brixton Academy]]></category>
		<category><![CDATA[Buffalo Bar]]></category>
		<category><![CDATA[build a rocket boys!]]></category>
		<category><![CDATA[Codes and Keys]]></category>
		<category><![CDATA[Corsica studios]]></category>
		<category><![CDATA[Cyberspace and Reds]]></category>
		<category><![CDATA[Death Cab for Cutie]]></category>
		<category><![CDATA[Elbow]]></category>
		<category><![CDATA[Elmatic]]></category>
		<category><![CDATA[Elzhi]]></category>
		<category><![CDATA[Evans the Death]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Feist]]></category>
		<category><![CDATA[Fleet Foxes]]></category>
		<category><![CDATA[Glastonbury]]></category>
		<category><![CDATA[Gracious Tide]]></category>
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		<category><![CDATA[Helplessness Blues]]></category>
		<category><![CDATA[House of Balloons]]></category>
		<category><![CDATA[I'm So Unclean]]></category>
		<category><![CDATA[If We’re Still Alive]]></category>
		<category><![CDATA[IOW Festival]]></category>
		<category><![CDATA[Isle Of wight]]></category>
		<category><![CDATA[James Blake]]></category>
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		<category><![CDATA[Kate Bush]]></category>
		<category><![CDATA[Lawrence Bray]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[Metals]]></category>
		<category><![CDATA[Metronomy]]></category>
		<category><![CDATA[never trust a happy song]]></category>
		<category><![CDATA[One Thousand Pictures Lanterns on the Lake]]></category>
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		<category><![CDATA[radiohead]]></category>
		<category><![CDATA[Reading]]></category>
		<category><![CDATA[reading Festival]]></category>
		<category><![CDATA[Recommendations]]></category>
		<category><![CDATA[Slalom]]></category>
		<category><![CDATA[slow club]]></category>
		<category><![CDATA[Smother]]></category>
		<category><![CDATA[summer camp]]></category>
		<category><![CDATA[Take Me Home]]></category>
		<category><![CDATA[talk]]></category>
		<category><![CDATA[The Archer]]></category>
		<category><![CDATA[The English Rivieria Deer Tracks]]></category>
		<category><![CDATA[The King of Limbs]]></category>
		<category><![CDATA[The King’s Head]]></category>
		<category><![CDATA[The Streets]]></category>
		<category><![CDATA[The Switch]]></category>
		<category><![CDATA[The Weekend]]></category>
		<category><![CDATA[Tom Waits]]></category>
		<category><![CDATA[Two Wounded Birds]]></category>
		<category><![CDATA[veronica falls]]></category>
		<category><![CDATA[W.A.R. (We Are Renegades)]]></category>
		<category><![CDATA[welcome to condale]]></category>
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		<category><![CDATA[XOYO]]></category>
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		<guid isPermaLink="false">http://itsallhappeningmusic.blog.com/?p=672</guid>

					<description><![CDATA[Ah  2011. What a year. It probably won&#8217;t go down in musical history like 1977 (Sex Pistols), or 1995 (Britpop), 1963 (The Beatles) or dammit, even 2004 (X&#8230;]]></description>
										<content:encoded><![CDATA[<p>Ah  2011. What a year. It probably won&#8217;t go down in musical history like 1977 (Sex Pistols), or 1995 (Britpop), 1963 (The Beatles) or dammit, even 2004 (X Factor), but we&#8217;ve still had a bloody good time listening to music, getting all fired up on the thrill of a good melody and a banging riff. We&#8217;ve been waxing lyrical about our rocks and sucks in the pub anyway, so thought we might as get it down to share. Here is our year in lists. And no, sorry Los Campesinos, we will never stop stealing that line.<br />
Once you&#8217;re done, <a title="The next twelve months" href="http://itsallhappeningmusic.blog.com/2012/01/06/the-next-twelve-months/">click here </a>to see what It&#8217;s All Happening are looking forward to in 2012.</p>
<h2>Albums we&#8217;ve loved</h2>
<p><a href="http://itsallhappeningmusic.blog.com/files/2012/01/Veronica-Falls-album-cover.jpg"><img decoding="async" class="size-full wp-image-673 alignleft" src="http://itsallhappeningmusic.blog.com/files/2012/01/Veronica-Falls-album-cover.jpg" alt="" width="300" height="300" /></a><br />
<strong>Veronica Falls</strong> – <em>Veronica Falls</em><br />
Almost exactly 18 months ago we interviewed a little known band called Veronica Falls in which they talk of their distaste for ‘labels’, ‘scenes’, ‘genres ‘, ‘tweeness’ and pretty much anyone or anything that tried to define or pigeon-hole them. Fair enough. They also talk about their plan for an album…and well, basically a lack of one. Fast forward 18 months and they’re headlining stages at Field Day, touring across Europe and the US and recording their debut album twice, scrapping one and re-recording the finally released version in 3 days. Who knows what that original version sounded like, but however bad they thought the original recording was, nothing can hide the sheer quality and variation in their song writing . From the perfect pop song clout of <em>Stephen</em>, the melodic roundabout of <em>The Fountain</em>, to the shadowy punch of <em>Bad Feeling</em> and the anthemic <em>Come On Over</em>, each track on this album delivers. There’s a layered craft to each and every song, from the harmonised vocals to the interweaving guitars, that makes this a truly brilliant album. Just don’t mention cardigans to them.<a href="http://itsallhappeningmusic.blog.com/files/2012/01/Veronica-Falls-album-cover.jpg"><br />
</a><br />
<strong>Elzhi</strong> – <em>Elmatic</em><br />
Here is an example of a clever concept that evolved into something far greater. A tribute to Nas’ seminal 1994 album <em>Illmatic</em>, Elzhi moves the scene from an oft-romanticised New York to a gritty Detroit, where shots go off at the funniest hours (<em>Detroit State of Mind</em>). El’s stark imagery cleverly references Nas’ phrasing but stripped of any glamorisation of project life, calling the hood a glasshouse the devil throws stones through. However, there is light amidst the shade. <em>Memory Lane</em> cheekily reminisces about being back in junior high &#8216;with your report card/Trying to make a B out of the letter F,&#8217; and <em>One Love</em> is a touching tribute to &#8216;El’s girl who cooked me hot meals/Helped me when I got bills.&#8217; Best of all, Will Sessions’ lush arrangements root the tracks in the rhythm and blues of Detroit’s own Funk Brothers, meaning that more than a simple tribute, <em>Elmatic</em> is one of the finest hip hop albums of the decade so far.<br />
<strong></strong><br />
<strong>Grouplove</strong> &#8211; <em>Never Trust A Happy Song</em><br />
The sounds of a summer, toes wriggling in grass, beers bubbles cracking on the tongue, cheap wine at the side of bonfires, a moment of drunken epiphany shared with friends. The equivalent of a sherbet fountain – all fizz, fun and fiasco – but with the reality hit of liquorice that stops it all from being too saccharin and suggests these guys actually mean it. <em>Never Trust A Happy Song They Say</em> – with the euphoria evident in this trip of an album, this is contender for most dishonest album of the year. Love it.<br />
Other long players that have  rocked It&#8217;s All Happening&#8217;s world this year include:<br />
<strong><a href="http://itsallhappeningmusic.blog.com/files/2012/01/summercamp_condale_select1.jpg"><img decoding="async" class="size-medium wp-image-674 alignright" src="http://itsallhappeningmusic.blog.com/files/2012/01/summercamp_condale_select1-300x300.jpg" alt="" width="300" height="300" /></a>Summer Camp</strong> &#8211; <em>Welcome To Condale</em><br />
<strong>Elbow</strong> – <em>build a rocket boys!</em><br />
<strong>Feist</strong> – <em>Metals</em><br />
<strong>Fleet Foxes</strong> – <em>Helplessness Blues</em><br />
<strong>Pharoahe Monch</strong> – <em>W.A.R. (We Are Renegades)</em><br />
<strong>Radiohead</strong> – <em>The King of Limbs</em><br />
<strong>The Streets</strong> – <em>Cyberspace and Reds</em><br />
<strong>Tom Waits</strong> – <em>Bad as Me</em><br />
<strong>Big K.R.I.T.</strong> – <em>Return of 4Eva</em><br />
<strong>James Blake</strong> – <em>James Blake</em><br />
<strong>Bon Iver</strong> – <em>Bon Iver</em><br />
<strong>Kate Bush</strong> – <em>50 Words for Snow</em><br />
<strong>Death Cab for Cutie</strong> – <em>Codes and Keys</em><br />
<strong>The Weekend</strong> –<em> House of Balloons</em><br />
<strong>Wild Beasts</strong> – <em>Smother</em><br />
<strong>Pete and the Pirates</strong> – <em>One Thousand Pictures</em><br />
<strong>Lanterns on the Lake</strong> &#8211; <em>Gracious Tide, Take Me Home</em><br />
<strong>Metronomy</strong> – <em>The English Rivieria</em><br />
<strong>Deer Tracks</strong> –<em> The Archer</em><br />
<strong>Art Brut</strong> – <em>Brilliant Tragic</em></p>
<h2>Tracks of the year</h2>
<p><strong>Bos Angeles</strong> &#8211; <em>Beach Slalom</em><br />
It may be all over in 2 minutes and 35 seconds, but this simple and youthful tale of a break-up stirs memories of teenage love and regret that had us hooked from the first listen. From the simple 2 note intro to the frenetic ending it encapsulates everything we love about discovering new bands. There’s nothing showy or over-thought, the recording sounds live and unpolished, and it seems to achieve everything it sets out to do with minimal fuss. The guitar part nods to Johnny Marr, the bassline’s got Peter Hook all over it and the hushed almost spoken vocals drift solemnly over proceedings, portraying a real sense of introspection and apology to what is ultimately a post-punk salvo of a track. They may never write anything as good as this again (we obviously hope they do), but <em>Beach Slalom</em> is as close to a genuine and honest guitar pop song as we could find in 2011 and we love it.<br />
 <span><a href="http://soundcloud.com/nmemagazine/bos-angeles-beach-slalom">Bos Angeles &#8211; Beach Slalom</a> </span><br />
<strong>Evans the Death</strong> &#8211; <em>I&#8217;m So Unclean</em><br />
Favourite lyrics of the year on this thrashy and reflective tale of heartbreak… “When I’m watching the shopping channel, I will think of you; When I’m making a sandwich, I will think of you; When I’m trying to get to sleep, I will think of you”.<br />
 <span><a href="http://soundcloud.com/evans-the-death/im-so-unclean">I&#8217;m So Unclean</a> by <a href="http://soundcloud.com/evans-the-death">Evans the Death</a></span><br />
<strong>Big Deal</strong> &#8211; <em>Talk</em><br />
Has the anguish and torture of being unable to articulate basic words of lust and longing ever been so perfectly articulated? A seething bass line, wiltingly cutting delivery, hollow haze and the killer line dished up with such nonchalance, ‘all I wanna do is talk, but seeing you fucks me up,’<br />
 <span><a href="http://soundcloud.com/big-deal/talk">Talk</a> by <a href="http://soundcloud.com/big-deal">Big Deal</a></span><br />
<strong>Slow Club</strong> &#8211; <em>If We’re Still Alive</em><br />
A soft drum that taps like a heartbeat in angst, the chiming organ teardrops, forlorn yearning of Rebecca’s vocal, building layers reminiscent of 50s girl groups, the killer electric riff followed by an almost calypso beat, a bridge that curls and kisses its way in, all viewed through the eyes of two hopeless romantics. Perfect.<br />
 <span><a href="http://soundcloud.com/stolenwinesocial/slow-club-if-were-still-alive">Slow Club &#8211; If We&#8217;re Still Alive</a></span></p>
<h2>The live stage &#8211; our favourite gigs</h2>
<p><strong>Pulp</strong> &#8211; Take your pick. Brixton Academy, Reading Festival, Isle of Wight. All three were very special. He writhes , he poses, he grooves, and makes us all feel us all wanna be Common People.<br />
[youtube http://www.youtube.com/watch?v=SuVSWe8RkJc]<strong></strong><br />
<strong>Pete and the Pirates</strong> at Buffalo Bar, 22 Nov – Fist time we’d seen PATP in several years, and we&#8217;d forgotten how much we love them. Intimate venue, great tunes.<br />
<strong>We Were Promised Jetpacks</strong> at XOYO, 12 Oct – What a gig. WWPJ debut album was a job to behold, but their second album released earlier in 2011 is probably my album of the year. They did not disappoint at XOYO (personal highlight being during their biggest hit <em>Quiet Little Voices</em>, when lead singer Adm was hit by a bottle of beer so instead of singing ‘we’re young again’ he creatively changed the words to ‘you’re a c**t’ whilst pointing at the perpetrator. Priceless. With support coming from the wonderful cheeky chaps and chappess that are <em>Let’s Buy Happiness</em>, this was an all-round great gig.<br />
<img loading="lazy" decoding="async" class="size-full wp-image-675 alignright" src="http://itsallhappeningmusic.blog.com/files/2012/01/187788_224992147527596_456892_n.jpg" alt="" width="200" height="265" /><br />
<strong>2.54</strong> at Corsica Studios, 9 Nov &#8211; The night that it felt like everything came together for 2.54.</p>
<div>
<strong>Alphabet Backwards, The Switch</strong> and <strong>Lawrence Bray</strong> at The Kings Head, 18 June. Or so I’ve heard. Can’t remember much.</p>
<h2>There&#8217;s nothing like a muddy field &#8211; festival highlights</h2>
<p><strong>Pulp</strong> (see above!). Ordinarily, I’d find it more than a little strange to watch a man in his 40s thrusting on top of an amp whilst singing ‘This is Hardcore’. However, this was the Return of Jarvis. It was one hell of a night.<br />
<strong></strong><br />
<strong>The Great Escape</strong> &#8211; Hard to pick out a single moment. For me, The Great Escape signifies the start of the festival season, ice cream on the beach and discovering a pier load of new music. This year was no different. Personal highlights were <strong>Out Like a Lion</strong>, a great set and top interview from <strong>Team Me</strong> and <strong>Two Wounded Birds</strong>, who later went to play our <a href="http://itsallhappeningmusic.blog.com/2011/12/21/two-wounded-birds-rock-monday-night/">Christmas show</a>, and one of the most gloriously technicolour and serotonin fuelled gigs of my life with<strong> Grouplove</strong> and<br />
<strong>Foster The People</strong>&#8230; Other top moments include an interview with the lovely Rachel Sermanni, Sarah Richardson trying to convince me she was hanging out with Snoop Dogg and meeting many fellow bloggers/ music people for the first time. It’s not only new bands though, and as always, Eddie Argos of <strong>Art Brut</strong> had The Haunt in the palm of his hand, wrapped in the cable of his microphone, sitting down on the floor at his will and up in the air when the hormonal fuelled <em>Emily Kane</em>, <em>My Little Brother</em> and Modern Art reach their climax. Brilliant.<br />
<strong></strong><br />
<strong>Sissy &amp; the Blisters</strong> at <strong>Camden Crawl</strong>, or <strong>Spector</strong> at <strong>Field Day</strong> – we couldn’t decide between these two. Both were the first time we’d seen each band, and both blew usaway.<br />
<strong></strong><br />
<strong>Alphabet Backwards / Spring Offensive / Gunning for Tamar</strong> at <strong>Truck Festival</strong> – Three awesome Oxford bands at a festival in Oxfordshire. ‘nuff said. And all lovely, lovely people too.<br />
<strong>Tribes</strong> at <strong>Reading</strong> – It’s a little scary when a band sings nostalgically about the 1990s. However, once we’d got over the realisation that we are now old, Tribes set at Reading was an enjoyable set to a buzzing crowd.<br />
[youtube http://www.youtube.com/watch?v=XoioAwx0v-Q]
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