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	<title>massive arms &#8211; and so she thinks</title>
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		<title>Drew Worthley &#8211; Bone China Saviour</title>
		<link>https://andsoshethinks.co.uk/drew-worthley-bone-china-saviour/</link>
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		<pubDate>Mon, 29 Jun 2015 12:25:00 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[drew worthley]]></category>
		<category><![CDATA[massive arms]]></category>
		<guid isPermaLink="false">https://andsoshethinks.wordpress.com/?p=4868</guid>

					<description><![CDATA[Bone China Saviour is the first of a few tracks that London artist Drew Worthley will be drip feeding us with over the next few months before the release of&#8230;]]></description>
										<content:encoded><![CDATA[<p><em>Bone China Saviour</em> is the first of a few tracks that London artist <strong><a href="http://drewworthley.co.uk/" target="_blank" rel="noopener">Drew Worthley</a> </strong>will be drip feeding us with over the next few months before the release of his second album, due out in September.<br />
Over the past couple of years I&#8217;ve heard the song in various incarnations, from its original rough strum demo, drenched in melancholy, to this, a slicker and more produced version. It feels like time may have worked its magic, the raw emotion of the original being viewed through a more reflective gauze, and this has allowed for a little more experimentation and playfulness than before. It&#8217;s a playful song, finding meaning in the everyday &#8211; in this case fridge magnets &#8211; and there&#8217;s a beautiful juxtaposition of the high notes and perky percussion meshing with tender sentiment and a deep sense of movement.<br />
Plenty is happening on <em>Bone China Saviour</em>, but it never feels chaotic or full, with each element allowed to shine for itself. Layers of guitar and twiddles of piano dance through a cascade of shifting scuffles, the looping vocals and pulses adding a sense of enchantment to its glassy sleek.<br />
<iframe title="Drew Worthley - Bone China Saviour [Official Video]" width="1290" height="726" src="https://www.youtube.com/embed/DHbm8wazz1c?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe><br />
Previous record <em>Ember</em> was a heartbreak album, troubled and fractured, but things have shifted within, and so the music which reflects his internal barometer also has a brighter feel to it. Recorded at Echo Zoo Studios in Eastbourne, mixed and engineered by Dave Izumi &#8216;who is a total legend&#8217; and produced by Phil Wilkinson it&#8217;s a record where numerous talents and voices have contributed to elevating the sound of a man with a guitar to something fuller and richer.<br />
The more expansive and visionary sound was entirely planned. &#8216;I&#8217;ve never seen myself as a &#8216;Folk Artist&#8217; per se, but when you gig as one man and a guitar it&#8217;s easy to end up in that category.&#8217; he says. &#8216;I really wanted to make sure I didn&#8217;t stagnate in an exclusively acoustic sound with this new record. I&#8217;m unsure as to what genre we&#8217;ve created here but I&#8217;m going for cerebral pop/indie pop/electro acoustic pop as starting points!&#8217;<br />
<span id="ecxyiv0419867388yui_3_16_0_1_1435044714829_6034" class=""><span id="ecxyiv0419867388yui_3_16_0_1_1434696799327_387845" class="">Released on Massive Arm Records on July 2nd.</span></span></p>
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