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	<title>svart &#8211; and so she thinks</title>
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		<title>Beastmilk &#8211; Love in a Cold World</title>
		<link>https://andsoshethinks.co.uk/beastmilk-love-in-a-cold-world/</link>
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		<pubDate>Fri, 11 Oct 2013 10:16:35 +0000</pubDate>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[beastmilk]]></category>
		<category><![CDATA[love in a cold world]]></category>
		<category><![CDATA[post-punk]]></category>
		<category><![CDATA[svart]]></category>
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					<description><![CDATA[Scandinavian music usually falls into one of two camps – happy clappy pop a la Abba, or dark death metal, like…well I don’t know, I tend to avoid&#8230;]]></description>
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Scandinavian music usually falls into one of two camps – happy clappy pop a la Abba, or dark death metal, like…well I don’t know, I tend to avoid it. I blame it on the weather. With twenty four hour bright skies or dark nights, it is no doubt hard to find middle ground. Swedish <strong>Beastmilk</strong> inhabit that space, but not middle ground as in beige and boring, but middle ground as in the post punk, gravelly greatness, rhythmically exciting musical space that most people enjoy.<br />
Beastmilk’s debut album <em>Climax</em> is equally exhilarating and heart-breaking, combining stark vocals with darkly shimmering melodies, and a throbbing pulse underneath the atmospheric shadowy gleam. Anxious and unsettling, but also animated and thrilling, first track <em>Love in a Cold World</em> is a great intro, from its flickering start, poppy melodies and flexing muscular riffage. It&#8217;s the sound of earnest frustration, slightly muted but with echoes of a violent siege within. Blinking into existence before it erupts into thrashing heady moments, <em>Love in a Cold World</em> is expansive and engaging, noisy and catchy, dark and light &#8211; beautifully middle ground.<br />
Released on Svart Records on December 2<sup>nd</sup>.<br />
[youtube=http://www.youtube.com/watch?v=PwQIlW14aRc&amp;w=420&amp;h=315]</p>
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